美国文学考试必备知识点(DOC 14页).doc
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1、.1. z Romantic period2. z Washington Irving3. z Edgar Allan Poe4. z Nathanial Hawthorne5. z Walt Whitman6. z Emily Dickinson7. zII. Realist period8. z Mark Twain9. z Sherwood Anderson10. z Stephen Crane11. z Theodore Dreiser12. zIII. Modern period13. z F. S. Fitzgerald 14. z Ernest Hemingway15. z Wi
2、lliam Faulkner .1.Transcendentalism Transcendentalism refers to the religious and philosophical doctrines of Ralph Waldo Emerson and others in New England in the middle 1800s, which emphasized the importance of individual inspiration and intuition, the Oversoul, and Nature. Other concepts that accom
3、panied Transcendentalism include the idea that nature is ennobling and the idea that the individual is divine and, therefore, self-reliant. New England Transcendentalism is the product of a combination of native American Puritanism and European Romanticism. 2.Naturalism Naturalism, a more deliberate
4、 kind of realism, usually involves a view of human beings as passive victims of natural forces and social environment. As a literary movement, naturalism was initiated in France and it came to be led by Zola, who claimed at “scientific” status for his studies of impoverished characters miserably sub
5、jected to hunger, sexual obsession, and hereditary defects. Natural fiction aspired to a sociological objectivity, offering detailed and fully researched investigations into unexplored corners of modern society. The most significant work of naturalism in English being Dreisers Sister Carrie.3.Americ
6、an Dream The American Dream is the faith held by many people in the United States of America that through hard work, courage and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed
7、 on to subsequent generations. 4.The Lost Generation The term Lost Generation was coined by Gertrude Stein to refer to a group of American Literary notables who lived in Paris from the time period which saw the end of World War I to the beginning of the Great Depression. Significant members included
8、 Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, Sherwood Anderson, T. S. Eliot, and Gertrude Stein herself. Hemingway likely popularized the term, quoting Stein (“You are all a lost generation”) as epigraph to his novel The Sun Also Rises. More generally, the term is being used for the young adu
9、lts of Europe and America during World War I. They were “lost” because after the war many of them were disillusioned with the world in general and unwilling to more into a settled life5. ModernismModern writing is marked by a strong and conscious break with traditional forms and techniques of expres
10、sion; it believes that we create the world in the act of perceiving it. Modernism implies historical discontinuity, a sense of alienation, of loss, and of despair. It elevates the individual and his inner being over social man and prefers the unconscious to the self-conscious.6. Romanticism .7. Puri
11、tanism The principles and practices of puritans were popularly known as Puritanism. Puritanism accepted the doctrines of Calvinism: the sovereignty of God; the supreme authority of the Bible; the irresistibility of Gods will for man in every act of life from cradle to grave. These doctrines led the
12、Puritans to examine their souls to find whether they were of the elect and to search the Bible to determine Gods will.8. Hemingway Heroes / Code Hero“Hemingway Heroes” refer to some protagonists in Hemingways works. Such a hero usually is an average man of decidedly masculine tastes, sensitive and i
13、ntelligent. And usually he is a man of action and of a few words. He is such an individualist, alone even when with other people, somewhat an outsider, keeping emotions under control, stoic and self-disciplined in a dreadful place where one can not get happiness. The Hemingway heroes stand for a who
14、le generation. In a world which is essentially chaotic and meaningless, a Hemingway hero fights a solitary struggle against a force he does not even understand. The awareness that it must end in defeat, no matter how hard he strives, engenders a sense of despair. But Hemingway heroes possess a kind
15、of “despairing courage” as Bertrand Russell terms. It is this courage that enables a man to behave like a man, to assert his dignity in face of adversity. Surely Hemingway heroes differ, one from another, in their view of the world. The difference which comes gradually in view is an index to the sub
16、tle change which Hemingways outlook had undergone.ExpressionismExpressionism refers to a movement in Germany early in the 20th century, in which a number of painters sought to avoid the representation of external reality and, instead, to project a highly personal or subjective vision of the world. T
17、he main principle involved is that expression determines form, and therefore imagery, punctuation, syntax, and so forth. In brief, any of the formal rules and elements of writing can be bent or disjointed to suit the purpose. Theatrically, expressionism was a reaction against realism in that it tend
18、s to show inner psychological realities. ONeills plays are some of the best examples.The Imagist Movement (Imagism)Led by Ezra Pound and flourished from 1909 to 1917, the movement advanced modernism in arts which concentrated on reforming the medium of poetry as opposed to Romanticism, especially Te
19、nnyson s wordiness and high-flown language in poetry. The three principles followed by the Imagists were:(1) Direct treatment (2) Economy of Expression (3) Rhythm symbolismSymbolism originates in France in the middle 19th century. The poetry collection The Flowers of Evil by the French poet Charles
20、Baudelaire is a representative work of this genre. Symbolism tries to express the dreamy mysterious inner world of the writer.Stream-of-consciousnessStream-of-consciousness begins in the 1920s in Britain. It is a psychological term indicating “the flux of conscious and subconscious thoughts and impr
21、essions moving in the mind at any given time independently of the persons will”. In late 19th century, the literary device of “interior monologue” was originated in France as an application of modern psychological knowledge to literary creation. In the 20th century, under the influence of Freuds the
22、ory of psychological analysis, a number of writers adopted the “stream of consciousness” method of novel writing. The striking feature of these novelists is their giving precedence to the depiction of the characters mental and emotional reactions to external events, rather than the events themselves
23、. (to be continued)Free verse: a form of poetry without rhyme, meter, regular line length, and regular stanzaic structure. It depends on natural speech for rhythm. Robert Frost compared it to “playing tennis with the net down.” Though much simpler and less restrictive than conventional poetry and bl
24、ank verse, free verse does no mean “formlessness.” T. S. Eliot once said that “no verse is free for the man who wants to do a good job.” Though its origin is unknown, it was attempted by such early poets as Surrey, Milton, Blake, and Macpherson. It was Whitman who did the greatest contribution to th
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