Unit-11-What-time-do-you-go-to-school精选教学优质PPT课件.ppt(无音视频)
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- Unit 11 What time do you go to school 精选 教学 优质 PPT 课件
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1、 Unit 11What time do you go to school? (Section A)1. Learning the words: go to school /get up / run / eat breakfast / take a shower2. Listening practice3. Language Goals: Talk about routines ; Ask about times A: What time do you usually get up, Rick? B: I usually get up at five oclock .Look at the p
2、ictures and learn the new wordsruneat breakfasttake a showergo to schoolUnit 11Section AWhat time do you go to school ?Match the words and the pictures.1. go to school _2. get up _3. run _4. eat breakfast _5. take a shower_1aadbec1bListen and match the times and actions. Draw lines from the clocks t
3、o the pictures. get up, Rick? run?- What time do you usually take a shower? have breakfast? go to school? get up at 5:00a.m. run at - I usually take a shower at have breakfast at go to school at 1cPairworkOne student is Rick. The other is the interviewer. Ask and answer questions about Ricks day.6:0
4、07:008:009:00 get up? run?-What time does Rick take a shower? have breakfast? go to school? gets up at 5 :00. runs at -He takes a shower at has breakfast at goes to school at 6:007:008:009:00What time does Wang Hai usually ? Listen to the dialogue: Davids daily routineActivity Time gets up6:00a.m.ha
5、s breakfast7:00a.m.7:30a.m.gets to school11:30a.m.goes home4:30p.m.gets homehas dinner10:00p.m.goes to school8:00a.m.has lunch5:00p.m.7:00p.m.goes to bed2aListen to the conversation. Complete Listen to the conversation. Complete these sentences with words from the these sentences with words from the
6、 box.box. two one two Rick has _ brothers (1)and _ sisters. Ricks (2)Family has _ (3)Shower.twotwoone2bListen again and complete this shower schedule for Ricks family. TimeNameBobMaryJerryAlicia5:005:006:006:007:007:008:008:00 Time(yourself)Activities Time (your partner)get up have breakfast go to s
7、chool have lunch do homework take a shower have dinner go to bed6:006:20Look at the chart below. Write a short passage about your day. 7:0012:0016:3017:4018:0022:00Reader, I married him. A quiet wedding we had: he and I, thmore or less Constance Chatterleys position. The war had brought the roof dow
8、n over her head. And she had realized that one must live and learn.She married Clifford Chatterley in 1917, when he was home for a month on leave. They had a months honeymoon6. Then he went back to Flanders: to be shipped over to England again six months later, more or less in bits. Constance, his w
9、ife, was then twenty-three years old, and he was twenty-nine.His hold on life was marvellous. He didnt die, and the bits seemed to grow together again. For two years he remained in the doctors hands. Then he was pronounced a cure, and could return to life again, with the lower half of his body, from
10、 the hips7 down, paralysed for ever.This was in 1920. They returned, Clifford and Constance, to his home, Wragby Hall, the family seat. His father had died, Clifford was now a baronet, Sir Clifford, and Constance was Lady Chatterley. They came to start housekeeping and married life in the rather for
11、lorn home of the Chatterleys on a rather inadequate9 income. Clifford had a sister, but she had departed. Otherwise there were no near relatives. The elder brother was dead in the war. Crippled for ever, knowing he could never have any children, Clifford came home to the smoky Midlands to keep the C
12、hatterley name alive while he could.He was not really downcast. He could wheel himself about in a wheeled chair, and he had a bath-chair with a small motor attachment10, so he could drive himself slowly round the garden and into the line melancholy11 park, of which he was really so proud, though he
13、pretended to be flippant about it.Having suffered so much, the capacity for suffering had to some extent left him. He remained strange and bright and cheerful, almost, one might say, chirpy, with his ruddy, healthy-looking face, arid12 his pale-blue, challenging bright eyes. His shoulders were broad
14、 and strong, his hands were very strong. He was expensively dressed, and wore handsome neckties from Bond Street. Yet still in his face one saw the watchful13 look, the slight vacancy14 of a cripple.He had so very nearly lost his life, that what remained was wonderfully precious to him. It was obvio
15、us in the anxious brightness of his eyes, how proud he was, after the great shock, of being alive. But he had been so much hurt that something inside him had perished, some of his feelings had gone. There was a blank of insentience.Constance, his wife, was a ruddy, country-looking girl with soft bro
16、wn hair and sturdy body, and slow movements, full of unusual energy. She had big, wondering eyes, and a soft mild voice, and seemed just to have come from her native village. It was not so at all. Her father was the once well-known R. A., old Sir Malcolm Reid. Her mother had been one of the cultivat
17、ed Fabians in the palmy, rather pre-Raphaelite days. Between artists and cultured socialists16, Constance and her sister Hilda had had what might be called an aesthetically17 unconventional upbringing. They had been taken to Paris and Florence and Rome to breathe in art, and they had been taken also
18、 in the other direction, to the Hague and Berlin, to great Socialist15 conventions, where the speakers spoke18 in every civilized19 tongue, and no one was abashed20.The two girls, therefore, were from an early age not the least daunted21 by either art or ideal politics. It was their natural atmosphe
19、re. They were at once cosmopolitan22 and provincial23, with the cosmopolitan provincialism of art that goes with pure social ideals.They had been sent to Dresden at the age of fifteen, for music among other things. And they had had a good time there. They lived freely among the students, they argued
20、 with the men over philosophical24, sociological and artistic25 matters, they were just as good as the men themselves: only better, since they were women. And they tramped off to the forests with sturdy youths bearing guitars, twang-twang! They sang the Wandervogel songs, and they were free. Free! T
21、hat was the great word. Out in the open world, out in the forests of the morning, with lusty and splendid-throated young fellows, free to do as they liked, and-above all-to say what they liked. It was the talk that mattered supremely26: the impassioned interchange of talk. Love was only a minor27 ac
22、companiment.Both Hilda and Constance had had their tentative love-affairs by the time they were eighteen. The young men with whom they talked so passionately28 and sang so lustily and camped under the trees in such freedom wanted, of course, the love connexion. The girls were doubtful, but then the
23、thing was so much talked about, it was supposed to be so important. And the men were so humble29 and craving30. Why couldnt a girl be queenly, and give the gift of herself?So they had given the gift of themselves, each to the youth with whom she had the most subtle and intimate arguments. The argume
24、nts, the discussions were the great thing: the love-making and connexion were only a sort of primitive31 reversion and a bit of an anti-climax. One was less in love with the boy afterwards, and a little inclined to hate him, as if he had trespassed32 on ones privacy and inner freedom. For, of course
25、, being a girl, ones whole dignity and meaning in life consisted in the achievement of an absolute, a perfect, a pure and noble freedom. What else did a girls life mean? To shake off the old and sordid33 connexions and subjections.And however one might sentimentalize it, this sex business was one of
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