2021届高考英语短文故事精读与语法填空训练（二十八）含答案.doc

1、2021 高考英语高考英语短文故事精读与语法填空短文故事精读与语法填空训练（训练（二十八二十八） 一：语法填空训练一：语法填空训练 What every writer wants 作家之所需作家之所需 I have ( know) very few writers, but those I have known, and whom I respect, confess at once that they have little idea they are going when they first set pen to paper. They have a character, perhaps

2、 two; they are in that condition of eager discomfort which passes for (inspire); all admit radical changes of destination once the journey has begun; one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highlands. I never (hear)of anyon

3、e making a skeleton , as we were taught at school. In the breaking and remaking, in the timing, interweaving, beginning afresh, the writer comes to discern things in his material were not consciously in his mind when he began. This organic process, often leading to moments of extraordinary self-disc

4、overy, is of an indescribable fascination. A blurred image appears; he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it. Sometimes the yeast within a writer outlives a book he has written. I have heard of writers read nothing but t

5、heir own books; like adolescents they stand before the mirror, and still cannot fathom the exact outline of the vision before them. For the same reason, writers talk interminably about their own books, winkling out (hide)meanings, super-imposing new ones, begging response from those around them. Of

6、course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair. He is also, incidentally, an ( forgive) bore. This temptation to cover the distance between himself the reader, to study his image in the sight of those who do not know him, can be his undoing: he

7、has begun to write (please). A young English writer made the pertinent observation a year or two back that the talent (go) into the first draft, and the art into the drafts that follow. For this reason also the writer, like any other artist, has no ( rest)place, no crowd or movement in which he may

8、take comfort, no ( judge)from outside which can replace the judgment from within. A writer makes order out of the anarchy of his heart; he submits himself to a more ruthless discipline any critic dreamed of, and when he flirts with fame, he is taking time off from living with himself, from the searc

9、h for what his world contains at its inmost point. 二：词句短语长难句释义二：词句短语长难句释义 What every writer wants 作家之所需作家之所需 I have known very few writers, but those I have known, and whom I respect, confess a at t o on nc ce e that they have little idea where they are going when they first s se et t p pe en n t to

10、 o p pa ap pe er r. They have a character, perhaps two; they are i in n t th ha at t c co on nd di it ti io on n o of f eager discomfort which p pa as ss se es s f fo or r inspiration; all admit radical changes of destination once the journey has begun; one, to my certain knowledge, s sp pe en nt t

11、n ni in ne e mmo on nt th hs s o on n a novel about Kashmir, then reset the whole thing in the Scottish Highlands. I never h he ea ar rd d o of f anyone making a skeleton, as we were taught at school. In the breaking and remaking, i in n t th he e t ti immi in ng g, interweaving, beginning afresh, t

12、he writer c co om me es s t to o d di is sc ce er rn n things in his material which were not consciously in his mind when he began. This organic process, often l le ea ad di in ng g t to o moments of extraordinary self-discovery, is of an indescribable fascination. A blurred image appears; he adds a

13、 brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it. Sometimes the yeast within a writer outlives a book he has written. I have heard of writers who read nothing but their own books; like adolescents they stand before the mirror, and still

14、cannot fathom the exact outline of the vision before them. F Fo or r t th he e s sa amme e r re ea as so on n, writers talk interminably about their own books, w wi in nk kl li in ng g o ou ut t hidden meanings, super-imposing new ones, begging response from those around them. Of course a writer doi

15、ng this is misunderstood: he might as well t tr ry y t to o e ex xp pl la ai in n a crime or a love affair. He is also, incidentally, an unforgivable bore. This temptation to cover the distance between himself and the reader, to study his image i in n t th he e s si ig gh ht t o of f those who do no

16、t know him, can be his undoing: he has begun to write to please. A young English writer made the pertinent observation a year or two back that the talent g go oe es s i in nt to o the first draft, and the art into the drafts that follow. F Fo or r t th hi is s r re ea as so on n also the writer, lik

17、e any other artist, has no r re es st ti in ng g p pl la ac ce e, no crowd or movement in which he may take comfort, no judgment from outside which can replace the judgment from within. A writer mma ak ke es s o or rd de er r out of the anarchy of his heart; he s su ub bmmi it ts s h hi imms se el l

18、f f t to o a more ruthless discipline than any critic dreamed of, and when he flirts with fame, he is t ta ak ki in ng g t ti imme e o of ff f from living with himself, from the search for what his world contains at its inmost point. 1：将标记的词汇短语释义：将标记的词汇短语释义 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.

19、 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 2：长难句分析释义：长难句分析释义 三：文意梳理三：文意梳理 我所认识的作家寥寥无几，然而凡是我所认识和尊敬的作家，都立即承认在 他们动笔时，不清楚要写什么，怎么写。他们心中有一个或两个角色。他们处于 急切不安的状态，而这被当作是灵感。他们无不承认，一旦“旅程”开始， “目 的地”常有急剧的变化。据我所知，有位作家花

20、了 9 个月的时间写了一部有关克 什米尔的小说，后来却把整个故事背景换成了苏格兰高地。我从未听说过任何一 位作家像我们在学校学的那样，动笔前先列什么提纲。作家在剪裁修改、构思时 间、穿插情节、以至从头重写的过程中，会领悟到素材中有很多东西是他刚动笔 时所未意识到的。这种有机的加工过程往往达到不寻常自我发现的境界，具有难 以言表的构思魅力。一个朦胧的形象出现在作家的脑海里，他左添一笔，右添一 笔，形象反而消逝了；可是，好像还有什么东西存在着，不把它捕捉到，作家是 不会罢休的。 有时， 一个作家一本书写完了， 但兴奋仍不消散。 我听说一些作家， 除了自己的书外，别的书一概不读，犹如希腊神话中那位漂

21、亮少年，站在镜前， 不能辨认出自身的真面目。由于这个原因，作家喋喋不休地谈论自己的书，挖掘 其隐晦的含义，增添新的含义，询问周围人的反应。作家如此行事当然会被人误 解。他还不如给人讲一个犯罪案件或一个恋爱故事。顺便说一句，他也是个不可 饶恕的令人厌烦的人。 这种企图消除自己和读者之间距离的作法， 企图用不了解自己的人的观点来 研究自己塑造的形象的作法，会导致作家的毁灭，因为他已经开始为取悦他人而 写作了。 一两年前，一位年轻的英国作家发表了中肯的看法。他说，初稿是才华，以 后各稿是艺术。也是由于这个原因，作家同任何艺术家一样，找不到可休息的场 所， 找不到伙伴和活动使自己得到安逸。任何局外人的

22、判断也比不上他自己内心 的正确判断。一旦作家从内心的紊乱中理出头绪，就应按任何评论家想像不到的 无情规范约束自己去写作；当他沽名钓誉时，他就脱离了自我生活，脱离了对自 己灵魂最深处世界的探索。 四：语法填空练习四：语法填空练习 There are thousands of languages in the world.English is one of the worlds most 1. (wide)used languages.It is 2. (speak) by nearly three hundred million people:in the United States,Brita

23、in,Canada,some Caribbean countries and South Africa.As a 3. (two) language,English is often necessary for business,education,information and other activities in a good many countries such 4. India,Pakistan and so on.It is also one of the 5. (work)languages in the United Nations and is used 6. (much)

24、than the others. English has become the language of international trade and transport.7. has been said that 60 percent of the worlds radio broadcasts and 70 percent of the worlds mails are 8. English.At international sports meets,at meetings of scientists 9. different countries and at talks of 10. (write) from the corners of the earth,English is mostly used. So English has also become the language of international cooperation in science and technology. 答案:1.widely 2.spoken 3.second 4.as 5.working 6.more 7.It 8.in 9.from 10.writers